Theatre Review | I’ll be Back Before Midnight

I’ll be Back Before Midnight

The Guild Theatre, Rockdale 

Director: Jennifer Gilchrist

The coals are lit, the broth is brewing, the Guild Theatre cauldron is fed a dash of Beetlejuice, a flower from the attic and a sprinkle of Sherlock Holmes to offer up Peter Colley’s international smash, I’ll be Back Before Midnight.

This black comedy, sans satire, is seasoned with a little drama, plenty of plot twists and a revelry in horror movie tropes.

Jan Sanderson (Lani Crooks) is a neurotic wife who has just been discharged from mental care after a nervous breakdown. In spite of her anxiety, her husband, mild mannered archaeologist, Greg (George Gleeson), takes her to the country. It’s Jan’s hope that they will reinvigorate their marriage.

Laura (Natalija Karna) arrives with a mind to renew her relationship with her brother as well. George (Robert Mason) is the hands-on landlord/caretaker with an incorrigible black sense of humour, an easy yarn and a wicked laugh, who checks in on them from time to time.

What begins somewhat as a psychological drama soon develops into a thriller as we question where the action is really taking place — in reality or in Jan’s head? Is her sister-in-law really playing with her mind? What’s really going on between the siblings? Natalija Karna’s Laura is needy and conniving.

George Gleeson cruises along evenly as a likable Greg, until… da, dah, daaaah — no spoilers. Robert Mason embodies the rustic farmer with country charm from the top of his head to the tips of his toes. He has a lot of fun with George and so do we.

Painted in sepia, Bill Ayers’ and Jim Farrow’s set design is deceptively ordinary. This 80’s living room comes alive with clever sound effects and various lighting techniques that complement each other to offer the kind of haunted house you’d experience watching an old movie.

The house extends past the stage with exits in the usual places but each closed door or drawn curtain holds expectations as the house and performance gradually comes alive with suspense and sinister purpose.

The sound effects collated by Nathan Farrow pervade the house spreading unease. Mundane noises, aptly timed and curtly delivered, are incorporated to help put you on the edge of your seat, and unexpected exits and entrances to jolt you out of them.

The central sliding doors become a focus of suspense in the second act as Lani Crooks hits her stride when the canard woven around Jan begins to fray.

If you like haunted houses, old horror movies and plot twists you’ll enjoy, I’ll be Back Before Midnight.

It’s playing at the Guild Theatre, Walz Street, Rockdale throughout August, closing on September 1.

Tickets can be booked on 9521 6358 or online